Vande Winkel, Roel editor of compilation. Biltereyst, Daniel, 1962 editor of compilation. ISBN: (PB) ISBN: (HC) Library of Congress Cataloging-in-Publication Data Silencing cinema : film censorship around the world / edited by Daniel Biltereyst and Roel Vande Winkel. Palgrave and Macmillan are registered trademarks in the United States, the United Kingdom, Europe and other countries. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Martin s Press LLC, 175 Fifth Avenue, New York, NY Where this book is distributed in the UK, Europe and the rest of the World, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number, of Houndmills, Basingstoke, Hampshire RG21 6XS.
First published in 2013 by PALGRAVE MACMILLAN in the United States a division of St. Published by Palgrave Macmillan: Prismatic Media, Transnational Circuits: Feminism in a Globalized Present By Krista Geneviève Lynes Transnational Stardom: International Celebrity in Film and Popular Culture Edited by Russell Meeuf and Raphael Raphael Silencing Cinema: Film Censorship around the World Edited by Daniel Biltereyst and Roel Vande Winkelĥ Silencing Cinema Film Censorship around the World Edited by Daniel Biltereyst and Roel Vande WinkelĦ SILENCING CINEMA Copyright Daniel Biltereyst and Roel Vande Winkel, All rights reserved. Áine O Healy is a professor of Modern Languages and Literatures at Loyola Marymount University. Anikó Imre is an associate professor of Critical Studies in the School of Cinematic Arts at the University of Southern California. Katarzyna Marciniak is a professor of Transnational Studies in the English Department at Ohio University.
#ADVANCE WARS DARK CONFLICT PEGI CENSORED SERIES#
The series emphasizes a historically expanded rather than an exclusively presentist notion of globalization it is mindful of repositioning the global away from a US-centric/Eurocentric grid, and remains critical of celebratory notions of globalizing film studies. Books published in the series sustain a specific concern with the medium of cinema but do not defensively protect the boundaries of film studies, recognizing that film exists in a converging media environment. Both global and cinema remain open to a range of approaches and interpretations, new and traditional. Dedicated to the global aspects of cinema, this pioneering series combines original perspectives and new methodological paths with accessibility and coverage. Rather than aiming at comprehensive geographical coverage, it foregrounds transnational interconnections in the production, distribution, exhibition, study, and teaching of film. It promotes theoretically transformative and politically challenging projects that rethink film studies from cross-cultural, comparative perspectives, bringing into focus forms of cinematic production that resist nationalist or hegemonic frameworks.
4 GLOBAL CINEMA Edited by Katarzyna Marciniak, Anikó Imre, and Áine O Healy The Global Cinema series publishes innovative scholarship on the transnational themes, industries, economies, and aesthetic elements that increasingly connect cinemas around the world.
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